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Offers unique perspectives on the clarinet's historical role in various
styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music,
concertos, opera, and symphony orchestras.With essays written by leading performer-scholars,
The Clarinet offers unique perspectives on the clarinet's historical role in various styles,
genres, and ensembles. Beginning with a chapter on clarinet iconography, the book continues
with an overview of the instrument's early history, chapters on the clarinet in the opera
orchestra and the traditional symphony orchestra, and examinations of important genres
involving the clarinet (the concerto and the clarinet quintet). Also included are chapters
on leading twentieth-century clarinetists, the instrument's use in the historically informed
performance (HIP) movement, and an expansive look at the clarinet's use in ethnic traditions
and early jazz. The emphasis on topics not covered elsewhere makes this book an important
contribution to the clarinet literature. Written in an accessible style, this volume engages
a wide range of readers, from professional musicians to clarinet aficionados and music
lovers with less specialized knowledge.Contributors to this volume include Jane Ellsworth,
Eric Hoeprich, Albert R. Rice, Ingrid Pearson, Julian Rushton, David Schneider, Marie Sumner
Lott, Colin Lawson, and S. Frederick Starr.

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