No one can say what the blues is. The blues is something that's there but isn't; at most, a color, but not simply blue; probably the ashen pale blue of someone who is black and finds himself in a state of melancholy, of unease. But it's not even that. In this book, the legend of someone who learned to play the guitar with supernatural help becomes a comparative analysis of the archetypes behind the story of the crossing of the three branches: from Robert Johnson to Hecate, from Oedipus to the most important figures of twentieth-century common practice music. There really is no black and white: that's the blues. But you can't talk about the blues without the black, because that's where the Tradition comes from. There's no magic more powerful than music. And this book is a manual of magic and music.
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